The 2021 edition of the Design Yearbook, which introduces the latest portfolios and profiles of Japanese art directors and designers.
The eight genres of “advertising,” “symbol & logotype,” “binding,” “editorial,” “package,” “goods,” “web,” and “UI” are now the most advanced and the arrival of a new era. We have carefully selected and posted 258 groups of jobs and profiles, including young designers who make you feel.
■ Publisher (excerpt)
Hitoshi Akasako (THE END) / Natsuki Akanuma (Hakuhodo) / Kyu Asaba (Katsumi Asaba Design Room / GOO CHOKI PAR) / Asyl / AYOND / Daisuke Arai (Book Design Arai) / Tatsuya Ariyama / Albireo / Awatsuji Design / ampersands / Iida Iku / Ikuzawa Ki (STUDEO) / Ikeda Takashi (design service) / Ishikawa Yasuhito (RIVER inc). Ishikawa Ryuta (Frame inc). / Ishihara Eri / Isu Taeko (NNNNY) / Ide Yuta (STUDIO DETAILS Inc). / Yuhei Ito (TBWA \ HAKUHODO) / Yuya Ito / Yu Inoue / Yuichi Inoue (Dajare and Design) / Yoko Inoue / Yoshiyuki Imoto / Koji Iyama / Kazuya Iwanaga (GRANDSLAM.inc) / Shuntaro Ishimi (NORTH) / Takayuki Innan (MARUC CO., LTD). / Yuri Uenishi / Masato Ugagami (inc) / Hiromi Uzaki / Design by Mr. Yoshiki Uchida (cosmos) / Naoshi Uchiyama (THE HAPPY DESIGN HOUSE) / Yukiko Uno / WULFF Graphics / Hd LAB Inc. / Eguchi Rika / Yumi Eren / Takahiro Eto (STUDY LLC). / Kenji Enami (Shirokuma 3) / Risei Ebado (Dentsu) and many others
Category:Japanese Graphic design Book
Tag:advertising, art director, CI, creative director, editorial, goods, logo, MdN Designer’s File, Package design, portfolio, UI, VI, web
- Pages:
- 272
- ISBN:
- 978-4295200994
- Release Date:
- February, 2021
- Language:
- Japanese
- Publisher:
- MdN corporation
Author profile
Kenya Hara
Born in 1958. graphic designer. President of Nippon Design Center. He is a professor at Musashino Art University.
Including the “RE-DESIGN: Everyday 21st Century” exhibition, which has traveled around the world and has had a wide impact, exhibitions with keywords that update existing values such as “HAPTIC”, “SENSEWARE”, and “Ex-formation” Develop educational activities. He also practiced designs deeply rooted in Japanese culture in the opening and closing ceremonies of the Nagano Olympics and in the promotion of the Aichi Expo.
Since 2002 he has been an art director of MUJI. He works on VIs such as Matsuya Ginza, Mori Building, Tsutaya Bookstore, GINZA SIX, and MIKIMOTO. He was a general producer at the Ministry of Foreign Affairs “JAPAN HOUSE”.
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